1957 Gibson Les Paul Goldtop with OHSC, Very Rare!

Early 1957 Goldtop – formerly owned by Cesar Rosas of Los Lobos. One of a very small group of Left Handed Stop Tail Les Pauls from the 1950s.

Thanks to Scott Jennings for reminiscing about this great guitar. I remember when Scott had it for sale in Vintage Guitar Magazine in the early 90s at Route 66 Guitars; somehow I knew I would end up with this guitar some 25 years later – it was worth the wait!

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1959 Gibson ES-175D with Double White PAFs, OHSC, Hangtags, Receipt!

This is a very rare, unmolested and unharvested time capsule/survivor guitar: a super clean 1959 ES-175D, Near Mint Condition, one-owner, OHSC, hangtags, cord, receipt, AND Double White PAFs! Ser # A298xx with FON S6487xx. All original except for the older trapeze tailpiece; has 3 extra small holes underneath the holes for the trap TP; probably had a zigzag on there before. Original shrunken tuner tips have been replaced with Uncle Lou Premium Tuner Tips. This guitar has been completely inspected, authenticated, and set-up by Scott Freilich of Top Shelf Music: http://www.topshelfmusic.com

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2015 Kraus OM with Honduran Rosewood, Spectacular, Mint w/ OHSC!

This is an absolutely stunning OM acoustic in MINT/As New Condition. This has been in my personal collection for a few years. In the words of Bill Kraus, the builder: An OM model in my favorite combination of woods: Red spruce top, Honduran rosewood back and sides, curly Koa bindings. I first heard about Bill Kraus from my good friend, Scott Freilich of Top Shelf Music in Buffalo, NY. Scott has been a factory authorized Martin repair center since 1979 and has seen the finest 6 figure pre-war Martins. Scott was raving about Bill Kraus, his knowledge of tonewoods, and the insane quality of his guitars. I also learned that Stan Jay of Mandolin Bros. was equally impressed with Kraus Guitars and had started carrying Bill’s guitars in his store. Every Kraus guitar at Mandolin Bros. has sold!

Here’s how Stan described a Model D Honduran Rosewood that Mandolin Bros. had in their store:

“William Kraus, who uses the logo (in highly stylized abalone) “WK” in which both the W and the K seem to be mating or something, is a maker of extremely fine sounding, beautifully hand-crafted guitars, in the traditional design of the great dreadnoughts of the past. This one, however, exceeds all expectations of excellence and beauty in that it has a Honduran rosewood back, sides and headstock overlay. About Honduran Rosewood, according to the website “globaltrees” (edited): Honduran Rosewood is a valuable timber species. Honduran rosewood – a/k/a Dalbergia stevensonii is known only from Belize, Guatemala and southern Mexico. Its valuable rosewood timber is highly sought after for quality products including musical instruments, turnery and carving. Honduran rosewood is reportedly the best wood for marimba and xylophone keys and it has been suggested as an acceptable substitute in guitars for Brazilian rosewood – Dalbergia Nigra — (international trade in which is now banned under CITES). Because it is a Dalbergia, like Brazilian, it sounds absolutely unbelievable!”

This guitar is simply phenomenol and the build quality, materials, and attention to detail are just mind blowing! I have a collection of vintage Golden Era Gibsons, Fenders, Gretschs, and Martins, so it takes a very special guitar to impress me. The Kraus OM delivers in every way! Just check out the rosette: Paua shell bordered by curly Koa wood inlayed into a red Spruce top-simply amazing! And the curly koa fretboard binding is a sight to behold! The Honduran Rosewood is becoming exceeding hard to find, and will probably go the way of Brazilian Rosewood as a protected wood soon. The Honduran Rosewood used on this guitar took months to source, and it looks spectacular! The guitar itself took 16 months to build, and the wait was well worth it, and well beyond expectations!

Dimensions:

• UPPER BOUT: 11 3/8
• WAIST: 9 7/16
• LOWER BOUT: 15 1/4
• BODY LENGTH: 19 1/2
• NECK/BODY JOINT 14
• NUT WIDTH 1 3/4
• SCALE LENGTH 25.34

Materials:

• Top and Bracing : Red(Adirondack) Spruce
• Back and Sides : Quartersawn Honduran Rosewood
• Neck : Honduran Mahogany
• Fingerboard and Bridge : Ebony
• Bindings and Tail Wedge : Curly Koa
• Rosette : Abalone Shell Bordered by Curly Koa
• Tuners : Gotoh 510’s

The Playability of the guitar is outstanding, and has a thin, nicely rounded fast neck. It has a very musical tone, with a particular sweet spot in the upper end. The bluegrass G chord in the 1st position with G/6th string, D/5th strings sounds tremendous on this guitar. Both fingerpicking and strumming are effortless, and jazz chords are well articulated. The volume of the guitar is Loud, and should only increase over time as the top opens up.

The guitar comes with the premium/built- like-a tank acoustic guitar hardshell case from Ameritage. This is a very special left handed acoustic!

Was $3,995 Now $3,500

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Lefty 1963 Fender Strat with OHSC, 100% Original, EXC Condition!

Early 1963 Left Handed Fender Strat, Sunburst finish, 100% original, with OHSC(brown case!). Beautiful blend Sunburst, Dark Brazilian rosewood fingerboard, very nice crack-free Green Guard, perfect headstock spag logo decal.

Overall, the guitar is in EXC condition with a very nice front; back and neck have some wear. But when you play this guitar, you will understand why that is…………

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